This is the table of contents for the interview of Claude Abney. It is part of the National Ragtime and Jazz Archive which is located in Lovejoy Library at Southern Illinois University Edwardsville.
For a complete contents list of all musician interviews for the oral history project, please click on this link: Oral History and Research Materials.
If interested in reviewing these materials from the National Ragtime and Jazz Archive, please contact
Therese Dickman, Fine Arts Librarian.
Tape # Side |
Time |
Subject |
1 a |
015-074 |
Birth, Parents, Musical influence of father |
1 a |
075-124 |
Musical memories, Liberty Burlesque House |
1 a |
125-196 |
Musical training, father as a professional musician, Banjo teacher Lee Fowler |
1 a |
197-226 |
Bands heard on radio which may have influenced |
1 a |
227-261 |
Country-Western groups, KXOK, playing bass-1937 |
1 a |
262-279 |
Begins big band music |
1 a |
280-323 |
Leaves St. Louis for Detroit, 1941, union member |
1 a |
324-460 |
Marriage, children, draft status, Ben Young's Band, Oriole Terrace, hours, pay, band personnel |
1 a |
461-473 |
Musicians and show people who came to Detroit |
1 a |
474-491 |
Left Young's band, other clubs played |
1 a |
492-502 |
Type of music played |
1 a |
503-555 |
Casanova Club |
1 a |
556-587 |
Jam sessions, after hours clubs |
1 a |
588-614 |
Roxy Show Bar, Hank Jones |
1 a |
615-650 |
Jazz Bands visiting Detroit |
1 a |
651-663 |
Musician friends |
1 a |
664-678 |
Count Basie's Band |
1 a |
679-714 |
Michigan Theater, Detroit Ballrooms |
1 a |
715-740 |
Booking Offices |
1 b |
002-040 |
Leaving Detroit, moving back to St. Louis |
1 b |
041-104 |
Dixie Five Band, Wyoming Show Bar |
1 b |
105-163 |
Call from Pee Wee Hunt's Band |
1 b |
164-244 |
Personnel of Hunt Band, jobs in Detroit |
1 b |
245-307 |
Travel with Hunt Band, especially Puerto Rico |
1 b |
308-517 |
Same |
1 b |
518-552 |
Art Moranz |
1 b |
553-582 |
Hank Biagini Band |
1 b |
583-662 |
Bob-Lo Boat |
1 b |
663-706 |
Return to St. Louis |
1 b |
671-731 |
Conclusion, remarks about project etc., Not Transcribed |
1 b |
707-713 |
Musician's Unions |
1 b |
714-723 |
Lake Resorts in Michigan |
2 a |
009-045 |
Job with Maloney Electric, retirement |
2 a |
046-132 |
Current jobs, Joe Wray Trio, City Lights band |
2 a |
133-179 |
Big events in St. Louis musical life, Sal Ferrante |
2 a |
180-228 |
Russ David |
2 a |
229-271 |
Bands that came to St. Louis |
2 a |
272-297 |
Jonah Jones |
2 a |
298-349 |
Other Detroit Groups played with, Georgia Auld |
2 a |
350-390 |
Jonah Jones visit to St. Louis |
2 a |
391-434 |
Caliber of jazz musicians in St. Louis and Detroit |
2 a |
435-449 |
Hottest jazz musicians |
2 a |
450-497 |
Meeting Walter Page-Abney's idol |
2 a |
498-528 |
Traveling with Pee Wee Hunt |
2 a |
529-608 |
Other musicians making impression on Abney, humorous incidents |
2 a |
609-666 |
Arcadia Ballroom, Casa Loma Ballroom, touring bands |
2 a |
667-749 |
Pee Wee Hunt, traveling with, working for, leaving |
2 b |
002-067 |
Pee Wee Hunt, leaving, new material |
2 b |
068-105 |
Impact of radio and records on musicians |
2 b |
106-126 |
Future of Dixieland music |
2 b |
127-143 |
Boats of Mississippi River |
2 b |
144-165 |
First public performance |
2 b |
166-196 |
First paid job, family appearance, musical inclinations |
2 b |
197-347 |
Black musicians he and his father worked with and listened to in St. Louis |
2 b |
348-364 |
Detroit |
2 b |
365-377 |
Claude's father |
2 b |
378-428 |
Black bands and musicians |
2 b |
429-455 |
How he would live life over |
2 b |
456-543 |
Musician friends, Sal Ferrante, Benny Weber |
2 b |
544-670 |
His father's jobs, support of Claude's music |
E-mail comments and inquiries about the National Ragtime and Jazz Archive to Therese Dickman at tdickma@siue.edu or call 618-650-2695.