Eubie (James Hubert) BlakeInternationally renowned ragtime pianist and composer |
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Birth: Death: Birthplace: Date of Interview: Place of Interview: Interviewers: |
February 7, 1883 February 12, 1983 Baltimore, Maryland April 14, 1972 SIUE Dan Havens, Jules Zanger, Carol Clarkin |
Eubie Blake, with his long, slender fingers, had a distinguished musical career. Mr. Blake formed a successful partnership with Noble Sissle in 1915. Mr. Blake went on to become music director for the United Services Organizations (USO) productions during World War II. His first recording was released in 1917. During the 1950's he was considered by many to be the nation's leading ragtime pianist. In 1969 he recorded the album, "The Eighty-Six Years of Eubie" (COL C2S-847), which was well received. Three years later, Mr. Blake came to SIUE to perform at the First Annual Jazz Festival. Eubie Blakes legendary musical life has been celebrated in a number of films and in the Broadway musical, "Eubie."
This is the table of contents for the interview of Eubie Blake. It is part of the National Ragtime and Jazz Archive which is located in Lovejoy Library at Southern Illinois University Edwardsville.
For a complete contents list of all musician interviews for the oral history project, please click on this link: Oral History and Research Materials.
If interested in reviewing these materials from the National Ragtime and Jazz Archive, please contact Therese Dickman, Fine Arts Librarian.
Tape # Side |
Time |
Subject |
1 a |
015-050 |
Eubie as a nickname |
1 a |
051-065 |
Birth in Baltimore, 1883 |
1 a |
066-104 |
Parents; as slave; family |
1 a |
105-114 |
Music in family |
1 a |
115-133 |
Longevity; Eubie's father |
1 a |
134-175 |
Eubie's father and the American flag |
1 a |
176-192 |
Lee Whipper, Porgy |
1 a |
193-283 |
How Eubie started playing the organ |
1 a |
284-307 |
First lessons; Margaret Marshall |
1 a |
308-319 |
Improvising on the organ |
1 a |
320-340 |
Ragtime, origins of |
1 a |
341-403 |
Eubie's girlfriend, her lawn party; Edgar Dow |
1 a |
404-449 |
Plays "Dream Rag" |
1 a |
450-480 |
Jessie Picket, Composer of "Dream Rag" |
1 a |
481-493 |
Basil Chase; Eubie age 15-16 |
1 a |
494-508 |
Dr. Frisbee's medicine show |
1 a |
509-628 |
Job at Aggie Shelton's Place |
1 a |
629-634 |
Next job |
1 a |
635-648 |
Old Kentucky Show |
1 a |
649-654 |
Playing cabarets in New York |
1 a |
655-665 |
Type of music played in bordellos |
1 a |
666-702 |
Plays excerpts of music |
1 a |
703-709 |
1905; playing in New York and Atlantic City |
1 a |
710-712 |
Goldfield Hotel |
1 b |
063-095 |
Rags, classic flavor of |
1 b |
096-111 |
Composing of Charleston Rag |
1 b |
112-144 |
Learning show music |
1 b |
145-176 |
Jim Europe's band |
1 b |
177-224 |
Early rags - "Chevy Chase" and "Fizzwater"; publisher's tricks -no royalties |
1 b |
225-274 |
Plays "Charleston Rag" |
1 b |
275-280 |
First musical comedy |
1 b |
281-394 |
Discrimination against blacks in show business; musicians salaries; Keith Vaundeville. Dressing facilities for blacks; Eubie's father on Decoration Day |
1 b |
395-406 |
Blank |
1 b |
407-491 |
Attitudes of young blacks; feelings of older blacks |
1 b |
492-504 |
First show; Shuffle Along |
1 b |
505-523 |
Playing in small towns |
1 b |
524-549 |
Getting from New Jersey to Washington, D.C. |
1 b |
550-565 |
Thomas Brothers and race track incident |
1 b |
566-580 |
Getting from Washington, D.C. to New York |
1 b |
581-592 |
Minstrel shows; comedians |
1 b |
593-599 |
Blank |
1 b |
600-645 |
Minstrel shows |
1 b |
646-668 |
Continued popularity of "I'm Just Wild about Harry" |
1 b |
669-704 |
Partnership with Noble Sissle |
1 b |
705-724 |
Josephine Baker |
1 b |
713-719 |
Blank |
1 b |
720-740 |
One-leg Willie |
1 b |
725-736 |
Countries played on tour |
1 b |
737- |
End of tape |
1 b |
740- |
End of side one |
2 a |
003-025 |
USO tours |
2 a |
026-038 |
Travels in U.S.; wife acts as agent |
2 a |
039-056 |
Recent compositions |
2 a |
057-105 |
Plays "Melodic Rag" |
2 a |
106-141 |
Present popularity of ragtime; what makes music ragtime |
2 a |
142- |
End of tape |